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Leda then brings out the doll, and tells Nina she 'took it' before saying, "I'm an unnatural mother. As a young mother of two in New York City, Leda studies translation and comparative literature, and her husband Joe (Jack Farthing) is equally involved in academia but as a scientist, and the two live in a small apartment with their two daughters. The film stars Olivia Colman, Dakota Johnson, Jessie Buckley, Paul Mescal, Dagmara Domińczyk, Jack Farthing, Oliver Jackson-Cohen, Peter Sarsgaard, and Ed Harris.
She comforts Nina, meets her confessions with serrated vulnerability, offers up her apartment as a hideaway for the young mother’s nascent affair.
Crucially, The Lost Daughter is not a portrait of regret, for either having children or leaving them. And since the film first appeared on the festival circuit, winning best screenplay at Venice, Gyllenhaal has said in interviews that she wrote a letter to the author describing her idea for the film, and that Ferrante agreed only on the condition that Gyllenhaal herself direct it. The apartment where Leda is staying is next to a lighthouse that goes off at all hours, and the complimentary fruit on her kitchen table is rotting. Drew Barrymore Breaks Down In Tears For The 2nd Time This Week On 'Drew Barrymore Show' — And It's Only Wednesday!
Like Ferrante, Gyllenhaal surfaces uncomfortable questions, including: how far can a woman defy society's expectations and her maternal role in the interest of saving her own sanity? Her children’s father (Jack Farthing) is an ambitious academic, just like her, and doesn’t offer much help.In the present, from the memories of exhaustion, the hauntings of failure, the ghosts of condemnation. Netflix has one last hat to throw into the award season ring before the year closes out, and it’s The Lost Daughter, a new drama that began streaming today. The versatile cinematographer Hélène Louvart, whose recent credits include Sarah Gavron’s Rocks and Eliza Hittman’s Never Rarely Sometimes Always, achieves a perfect balance between distance and intimacy, bringing the audience close enough to these characters to convince us that we know them while also retaining an air of impenetrable mystery. At its opening night world premiere, the movie received a four-minute standing ovation from Venice Film Festival attendees in the Sala Grande. Maggie Gyllenhaal's 'The Lost Daughter' Gets Warm Ovation in Venice With Jake Gyllenhaal on Hand to Cheer Her Debut".
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