The Hobbit: An Illustrated Edition of the Fantasy Classic (The Lord of the Rings)

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The Hobbit: An Illustrated Edition of the Fantasy Classic (The Lord of the Rings)

The Hobbit: An Illustrated Edition of the Fantasy Classic (The Lord of the Rings)

RRP: £99
Price: £9.9
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While writing multiple Punisher and Batman comics (and October 1994's Punisher/Batman crossover), he also found time to launch Team 7 for Jim Lee's WildStorm/Image and Prophet for Rob Liefeld's Extreme Studios. He also wrote many issues of Catwoman and Green Arrow , regularly having about seven titles out each and every month between the years 1993 and 1998. While reading the book I wondered, "What does Gandalf look like?" or "Why is it so hard to find Rivendell? This is going on forever.” Well, explained later in the story Gandalf is tall compared to the hobbits of course. He also has a long white beard. It took so long to find Rivendell because the path they were following had been marked where to go, but it was hard to see because moss had grown over the path and covered the marks. All of them at once,” said Bilbo. “And a very fine morning for a pipe of tobacco out of doors, into the bargain. If you have a pipe about you, sit down and have a fill of mine! There’s no hurry, we have all the day before us!” Then Bilbo sat down on a seat by his door, crossed his legs, and blew out a beautiful grey ring of smoke that sailed up into the air without breaking and floated away over The Hill. On the other hand, the illustrations are beautiful. Water-colored works of art grace the reader's eyes, always magnificent to look at. Indeed, David Wenzel did an amazing job of drawing the scenes and crafting the characters. Gandalf is perfect, as are the Dwarves and Bilbo. Smaug is awesome (when are dragons not?). The Elves weren't how I imagined them, but still fit the overall stylistic themes of the book. this book, originally published as three comics, has a really VERY well done adaptation of the book - though, of course, necessarily much reduced in literary value- and exceptionally beautiful artwork with only one or two small shortcomings.

Good morning!” he said at last. “We don’t want any adventures here, thank you! You might try over The Hill or across The Water.” By this he meant that the conversation was at an end.

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This is a great companion to Tolkien's novel, and the art is as atmospheric as you would expect. It's been a while since Middle Earth looked this good. That said, don't expect Alan Lee or John Howe - The Hobbit doesn't have quite the same epic, or dark, overtones as The Lord of the Rings.

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John Ronald Reuel Tolkien was born on January 3, 1892, in Bloemfontein, South Africa. After serving in World War I, he embarked upon a distinguished academic career and was recognized as one of the finest philologists in the world. He was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. He is, however, beloved throughout the world as the creator of Middle-earth and author of such classic works as The Hobbit and The Lord of the Rings. He died on September 2, 1973, at the age of eighty-one. Of course a one volume release was also the best time to create a limited signed edition. And so Eclipse Books made 600 copies and had them signed and numbered by David Wenzel.

I originally read the Hobbit when I was 11 in my English lessons which was great as I had already been a fan of Lord of the Rings for a couple of years, so I was very excited to spot this in a charity shop! He was DC's most prolific Batman-writer in the mid-1990s (rivalled perhaps in history by Bill Finger and Dennis O'Neil) - in addition to writing Detective Comics he pioneered the individual series for Robin , Nightwing (which he wrote for 70 issues, and returned to briefly with 2005's #101) and Batgirl , as well as creating the team and book Birds of Prey . In March, 2002, Dixon turned his attention to CrossGen's output, salthough he co-wrote with Scott Beatty the origin of Barbara Gordon's Batgirl in 2003's Batgirl: Year One. For CrossGen he took over some of the comics of the out-going Mark Waid, taking over Sigil from #21, and Crux with #13. He launched Way of the Rat in June 2002, Brath (March '03), The Silken Ghost (June '03) and the pirate comic El Cazador (Oct '03), as well as editing Robert Rodi's non-Sigilverse The Crossovers. He also wrote the Ruse spin-off Archard's Agents one-shots in January and November '03 and April '04, the last released shortly before CrossGen's complete collapse forced the cancellation of all of its comics, before which Dixon wrote a single issue of Sojourn (May '04). Dixon's Way of the Rat #24, Brath #14 and El Cazador #6 were among the last comics released from the then-bankrupt publisher. The Hobbit is the story of Bilbo Baggins, a quiet and contented Hobbit whose life is turned upside down when he joins the wizard Gandalf and thirteen dwarves on their quest to reclaim stolen treasure. First published over 50 years ago, J.R.R. Tolkien's 'The Hobbit' has become one of the best-loved books of all time. Now Tolkien's fantasy classic has been adapted into a fully painted graphic novel.I looked at it again recently. I then read it through and realised how perfect it is in its simplicity. I was so wrong the first time. Very pretty!” said Gandalf. “But I have no time to blow smoke-rings this morning. I am looking for someone to share in an adventure that I am arranging, and it’s very difficult to find anyone.” Illustrated and hand painted in full colour throughout, and accompanied by the carefully abridged text of the original novel, this handsome authorised edition will introduce new generations to a magical masterpiece – and be treasured by Hobbit fans of all ages, everywhere. By some curious chance one morning long ago in the quiet of the world, when there was less noise and more green, and the hobbits were still numerous and prosperous, and Bilbo Baggins was standing at his door after breakfast smoking an enormous long wooden pipe that reached nearly down to his woolly toes (neatly brushed)—Gandalf came by. Gandalf! If you had heard only a quarter of what I have heard about him, and I have only heard very little of all there is to hear, you would be prepared for any sort of remarkable tale. Tales and adventures sprouted up all over the place wherever he went, in the most extraordinary fashion. He had not been down that way under The Hill for ages and ages, not since his friend the Old Took died, in fact, and the hobbits had almost forgotten what he looked like. He had been away over The Hill and across The Water on businesses of his own since they were all small hobbit-boys and hobbit-girls. What do you mean?” he said. “Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?”



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