You’ll probably be fairly satisfied with the sound you get with the OM10, and if you’re looking to save money, this is certainly a good option. But I’m still a big fan of the 2M line. The Ortofon 2M Red Creates Sibilance Issues? I have also compared the Ortofon 2M Red and the AT95E against the Ortofon 2M Blue and the VM540ML. You’ll find links to those articles towards the end. The result is a bold performer that's confident without being in any way overbearing. Listening to Orff’s rambunctious Carmina Burana,we can’t help but be thrilled by the energy and drive of the music. The Sabre delivers this dramatic piece with all the gusto it demands. We get explosive dynamic peaks coupled with an impressive sense of control. Well, this of course varies. If you’re upgrading from using a portable record player (whether it’s a Crosley vs Victrola is immaterial) or something like the Audio-Technica AT-LP60X, you’ll notice an upgrade in sound immediately and you won’t need any break in time to hear the difference in sound quality. Let’s talk a little bit about the problems people have encountered with the 2M Red. Admittedly, these aren’t issues I’ve personally run into, but just because I haven’t dealt with them doesn’t mean they aren’t real and aren’t worth discussing.

Midrange: The mid-band is also open and clear. The midrange is obviously influenced by the treble, giving texture to vocals, but doesn’t quite have the wonderful quality of the 2M Blue. The handling of sibilance on vocals is above average, in my experience. nude elliptical stylus diamond. The stylus tip is a whole diamond, specially shaped and glued or fastened to the The anti-skate setting is used to counteract the inward pull of the tonearm caused by the spinning record. The recommended anti-skate setting for the Ortofon 2M Red is 1.8 grams. To set the anti-skate, use the dial on the tonearm and adjust it until the correct amount of pressure is applied. Step 4: Setting the Azimuth Comparing with the well-known Audio Technica AT95E, the 2M Red has a much bigger and punchier sound, but doesn’t have the inoffensive charm of the AT95E. The AT-VM95E (replacement for the AT95E) provides stiffer competition and may possess a more agreeable (warmer) sound balance for some listeners, but doesn’t have the sparkle, air and detail of the 2M Red. Having said that, the AT-VM95E is less than half the price of the 2M Red, which price-wise is in the same stable as the AT-VM95EN with nude elliptical stylus. I haven’t heard the latter, so cannot comment on how it compares with the 2M Red. On the high end or treble, I felt the music was a bit more “rounded off,” giving you engaging sound without feeling like you’re getting overt sharpness in the music.

2M Red Sound

High-performance motor system incorporating unique to Ortofon quad coils with split pole pins, delivering a clean detailed and true-to-life sound. Bronze adds even more details and resolution but in a very evenhanded way that pays respect to all elements However, for those that do need to install the 2M Red, I wanted to let you know the three possible applications you may have to deal with: On the whole, you might have wondered how it mixes and blends it all. This has to do with the balance. I’d rate the blend a solid 7. It is a little short of amazing but it gets the job done and it does it with a great texture and sound to it.

I believe that the bass that the Ortofon 2M Red gives is one of the reasons that a lot of people would pass it up. It isn’t so deep- if you get what I mean. However, for those who are more about the treble, it isn’t really a problem. The 2M Red and 2M Blue both use the same engine with split pole pins. With this improved engine Ortofon have been able to increase the output to an impressive 5.5 mV. Everyone’s ears and tastes are different, but I really loved the resolution upgrade and how much more information was pulled from the record in terms of musical precision and dynamics. In all, while I think the 2M Red is more “fun” for the average vinyl record enthusiast, I found the 2M Blue to be the most “accurate” when it comes to the sound coming out of my speakers. I think you should consider the Ortofon 2M Red if you’re looking for a way to jump into the high fidelity end of the pool without fear that things will get too “techy,” overly complicated, or expensive. I think the 2M Red provides a great balance of high quality and performance with excellent value. Ortofon 2M Red Premounted on Headshell?The 2M Series is designed for precise and accurate retrieval of the information in the record groove First—what is sibilance? Well, sibilance distortion is when you play vinyl records and notice a harshness whenever a singer is pronouncing a word that either beings with or ends with “s.” Well, before I give you my opinion on that, let me first cover what upgrades are made to the 2M Blue that Ortofon feels justifies the fairly dramatic jump in price. Comparing with other Ortofons, the 2M Red is a typical Ortofon in its tight, agile, dynamic presentation, but is brighter than some of the vintage models, such as the F15E MkII. The OM10 would be its equivalent in the OM range, but the 2M Red’s delivery is bigger and livelier. The Super OM10 goes some way to rival its detail and dynamics, and perhaps also offers a more accessible sound for many listeners, with deeper bass and a slightly more refined top-end.

The name 2M was selected from among several ideas. We wanted a modern name that would be easy to pronounce and remember, and therefore an alphanumerical name was chosen. 2M means MM, which is the abbreviation for moving magnet.One thing I both like and dislike about the 2M Blue is its emphasis on brightness in the high end of the music. I think, on one hand, that it’s fantastic that the treble gets accentuated with the 2M Blue. That brightness, mixed with the clarity and the wider soundstage that comes with the 2M Blue, allows the music to feel much more engaging to my ears. Everything sounds sharper, crisper, and more accurate. Tipped elliptical stylus diamond. Here, the 2m blue stylus tip of the diamond is always mounted on a metal shank. Now, the Ortofon 2M Verso is intended for those that have bottom mount headshells. The 2M Verso is made to mount very easily on tonearms that do not allow screws to pass through the top of the headshell. As my everyday living room listening setup, I consider the 2M Blue to offer the perfect balance of performance, dynamics, and affordability. The sound is far-more open than the 2M Red but without pushing to any extremes. It’s easy to enjoy the 2M Blue no matter what level of vinyl enthusiast you consider yourself to be. Go Blue and rediscover your record collection – you’ll be surprised just how much better a nude stylus can sound. Both the 2M Red and 2M Blue have diamonds which are polished to the highest standards of the industry. 2M Red has a tipped elliptical diamond, and the 2M Blue has a nude elliptical diamond. The design has been optimised for easy mounting on to a tonearm; the weight and size of all 2M models is well-suited to fit the most common turntables on today's market. The 2M Red and 2M Blue also have interchangeable stylus units, and replacement styli are readily available in the UK.