Kino, Carol. "With Sketchpads and Guns, Semper Fi"; "Marine Art," New York Times. 13 July 2010; Sketchpad Warrior blog, "It's All in the Wrist", 25 May 2010.

Paintman Paint take pride in only producing the highest quality, hand-mixed paints. Combining premium tints and resin in our formulas develops a paint with outstanding coverage, build and durability; suitable for the finest of projects. Holme, Charles. (1918). The war depicted by distinguished British artists. London: The Studio. OCLC 5081170 stationary military facilities, such as anti-aircraft missile systems, radar stations, radar installations, engineering structures, etc. Traditional Synthetic Coach Enamel– Maintaining the traditional element of a long wet edge time minimises brush marks whilst maximising its self-levelling ability for a perfectly flat, gloss finish. Our premium formula gives you superb coverage; suitable for the traditional application methods of brushing and rollering. Synthetic Coach Enamel also supports spray application for those who want product originality. On previously painted surfaces, ensure it is sound and non-flaking. Abrade the surface preferably by mechanical abrasion to provide a “key” and maximise adhesion of the subsequent coating.Conformance:This product conforms to the American Association of State Highway and Transportation Officials Specifications AASHTO M-69, Type-I or Type II. For the term in military science, see Military art (military science). For artists of war, see War artist. The Surrender of Breda by Diego Velázquez (1634–35) shows a crowded scene as the two sides meet peacefully to surrender the town. The Battle of Poitiers in 1356, in a manuscript of Froissart's Chronicles of c. 1410 Pepper, Simon. "Battle pictures and military scenes", in Grove Art Online (restricted access, refs to sections), accessed 22 March 2011

Description: Milguard-22750 is a two part VOC compliant epoxy polyamide based coating specifically formulated for protection of areas exposed to chemicals and solvents. It is intended to be used as a topcoat for exterior or interior use on aircraft and ground support system. It is also lead and chromate free. Russell, Ronald, Discovering Antique Prints, Osprey Publishing, 2001, ISBN 0-7478-0499-0, ISBN 978-0-7478-0499-4, [2] It is noteworthy that the enhanced protective characteristics of the coating make military vehicle paints a versatile option, covering the needs of a wide range of industries, including paint applications for: Binek, Lynn K. and Walter A Van Horn. (1989). Drawing the Lines of Battle: Military Art of World War II Alaska. Anchorage, Alaska: Anchorage Museum of History and Art. OCLC 20830388 Gilkey, Gordon. War Art of the Third Reich. Bennington, Vermont: International Graphics Corporation, 1982). 10-I

Description: A one component, pure silicone based pigmented finish specially designed to withstand 1000 ºF constant temperatures and intermittent 1200ºF exposure. This paint is lead and chromate free and contains no more than 2.8 lbs. per gallon (340 grams per liter) of volatile organic compounds (VOC) as applied. When applying to bare metal, Simco HTR-7500 primer is required. Especially in Northern Europe, small groups of soldiers became a popular subject for paintings and especially prints by many artists, including Urs Graf, who is unusual in that he was a professional Swiss mercenary for many years. These works began to present a less heroic view of soldiers, who often represented a considerable threat to civilian populations even in peacetime, though the extravagant costumes of the Landsknecht are often treated as glamorous. [11] For Peter Paret, from the Renaissance "the glorification of the temporal leader and of his political system – which had of course also been present in medieval art – replaces the Christian faith as a determining interpretive force" in military art. [12] Hichberger, J.W.M. (1991). Images of the Army: The Military in British Art, 1815–1914 , pp. 12–13., p. 12, at Google Books; Brandon, Laura. (2008). Art and War , pp. 4–9., p. 4, at Google Books