The circulation of photographic images of the protests, and of those injured or killed, has to be understood in the context of visual and photographic censorship by the Iranian regime. Above all, this book asks how artistic experimentation with televisual forms was shaped by events that challenged television broadcasters’ claims to authority, events that set the stage for struggles over how access to the airwaves would be negotiated in the future.

the set contains icons: election, politics, voting, capitol building, white house, presidential election. Interactions between Candidates and Followers on Facebook during the Hungarian General Election Campaign of 2014.Inductive content analysis is useful when there is a gap in the existing literature on the topic ( Elo and Kyngäs 2008). Over a 10-year period Carol Tenopir of DataONE and her team conducted a global survey of scientists, managers and government workers involved in broad environmental science activities about their willingness to share data and their opinion of the resources available to do so (Tenopir et al. Based on the assumption that the authorial portrait is not a pictorial genre in its own right, this MWW subproject investigated the practices of the scholarly portrait from which the image of the author derives, and what image-political relevance it possesses. Just think of the iconic image of the “tank man”, a lone protester standing in front of a line of tanks in Tiananmen Square, Beijing in 1989.

Hart, Liddell Professor of Communication and Government, University of Texas at Austin "DeLuca offers a penetrating reading of image events and their centrality in the rhetoric of new social movements.The Pensive Photograph as Agent: What Can Non-Illustrative Images Do to Galvanize Public Support for Climate Change Action?