No era confiable, algunos ruidos raros en los audifonos, algun preamp no lo detectaba correctamente. Easily power headphones up to 600 Ohms all while experiencing detailed monitoring and playback as well as plenty of volume. This allows you to save your audio routing from the EVO mixer software onto the unit and then use this away from your computer. The form factor reminds me of typical rackmount interfaces, and you can in fact mount the EVO 16 in a rack. While many of these things can also be done on the interface itself, it’s usually quicker to work on the big screen with a mouse.

Centred around a clear IPS display borrowing from mobile technology, the Control Wheel lets the user navigate and execute tasks by turning and pressing. Whether you’re recording vocals for your latest song or podcasting with friends on the go, the EVO is the perfect choice. Mais attendez-vous à devoir remonter le niveau de vos casques car on se rend vite compte que les niveaux d'entrées baissent pour éviter toute saturation numérique. Simultaneously pressing adjacent odd‑ and even‑numbered buttons will link those two channels for stereo. Looking at the big picture, audio interfaces with built in mic pres haven’t changed a great deal in the last few years.Audient’s approach to software and hardware control with EVO 16 hopes to improve upon this often overlooked aspect of interface use. The EVO Preamp technology has the advantages of an analogue mic preamp combined with digitally controlled precision which gives you the ability to set your gain with pin-point accuracy!

If you’re thinking of interfacing the EVO 16 with other studio gear, though, be aware that like many other affordable interfaces, it doesn’t quite operate at ‘professional’ levels.Usefully, you can also use it to adjust the input gains and associated settings or even save settings to run in standalone mode. Other than that it's a great looking and performing interface but the rack ears should have been in the box! Make recording easy with the Evo by Audient, the perfect interface for beginner and pro musicians alike.

One of the distinguishing features of the EVO 8 and 4 is that there are no analogue controls at all. And if you’re looking for a recording interface, you’re going to like its comprehensive set of analog and digital inputs and its great sound. Featuring a crisp, high-resolution display, the Motion UI provides real-time feedback on your settings and I/O connectivity.The interface also incorporates +48v Phantom Power so you can use studio-grade condenser microphones. For example even though inputs 1 and 2 can be switch to instrument this actually only works if you are connecting using a 1/4 jack, which OK is the most likely connection but for the other 6 inputs it auto switches between mic and line based on if you are using an XLR connector but XLR can be used for balanced line connections too so this is a bit of an issue when you have an interface permanently wired into a rack.

At one end of the scale, you can get a healthy level from close‑miked speech with a moving‑coil dynamic mic, and on the other, you can record drums without clipping.After pressing the green button on the interface, you can select the desired channels using the input buttons. However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers. Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided. Thanks to the customisable F-button, you can assign any of EVO 16’s advanced monitoring controls to the programmable function button. At just over 14” wide with non-slip rubber feet, EVO 16 works perfectly whether on your desktop, under your laptop or as a permanent fixture to your studio with optional rack ears.