Miller, Frank (1992). Casablanca – As Times Goes By: 50th Anniversary Commemorative. Turner Publishing Inc. ISBN 978-1-878685-14-8. This was a story that I couldn't stop listening to, until the end. The narrator told the story in a way that made me think she was the one who experienced the stories, of a young girl and a young woman, who both faced incredible tragedy and yet overcame the aftermath. Josie's various difficulties are also well-written. The constant fear of the Gestapo, the hope they have of leaving Africa and moving to America, and her friendships will strike a chord. This is my third and final book I wish to read from this author. The book is too emotional for me, as I previously had found another one of her books to be. Sorel, Edward (December 1991). "Casablanca". American Heritage. Archived from the original on December 24, 2013 . Retrieved November 15, 2011.

Casablanca – You Must Remember This... A Tribute to Casablanca (Blu-ray Disc). Warner Home Video. February 2, 2010. Event occurs at 21:09.

Rosenzweig, Sidney (1982). Casablanca and Other Major Films of Michael Curtiz. Ann Arbor, Mich: UofMI Research Press. ISBN 978-0-8357-1304-7.

a b c Robertson, James C. (1993). The Casablanca Man: The Cinema of Michael Curtiz. London: Routledge. p. 79. ISBN 978-0-415-06804-8. Critic Andrew Sarris called the film "the most decisive exception to the auteur theory", [72] of which Sarris was the most prominent proponent in the United States. Aljean Harmetz has responded, "...nearly every Warner Bros. picture was an exception to the auteur theory". [70] Other critics give more credit to Curtiz. Sidney Rosenzweig, in his study of the director's work, sees the film as a typical example of Curtiz's highlighting of moral dilemmas. [73] A remembrance written for the film's 75th anniversary published by The Washington Free Beacon said, "It is no exaggeration to say Casablanca is one of the greatest films ever made," making special note of the "intellectual nature of the film" and saying that "while the first time around you might pay attention to only the superficial love story, by the second and third and fourth viewings the sub-textual politics [of communitarianism and anti-isolationism] have moved to the fore". [107]An HD DVD was released on November 14, 2006, containing the same special features as the 2003 DVD. [148] Reviewers were impressed with the new high-definition transfer of the film. [149] Eco, Umberto. "Casablanca, or, The Clichés are Having a Ball". Archived from the original on March 8, 2009 . Retrieved May 20, 2009.

Harmetz, Aljean (1992). Round Up the Usual Suspects: The Making of Casablanca – Bogart, Bergman, and World War II. Hyperion. ISBN 978-1-56282-761-8. When Zoe’s husband Tom gets a five year posting to Casablanca she views this as a fresh start for their strained and distant relationship. She makes a chance find beneath the floorboards of their accommodation of a little box and a leather bound notebook that belongs to twelve year old Josiane Duval. Josie’s journal from 1941 reveals that she is French, the family are Jewish and are in Casablanca awaiting the paperwork to take a ship to Portugal and onwards to the USA. The story is told in alternate timelines which works extremely well as both their lives weave and interconnect in surprising ways. TOPICS; WEATHER EYES; Play It Again". The New York Times. December 5, 1982. ISSN 0362-4331 . Retrieved December 30, 2018.a b Ebert, Roger (December 9, 2009). "Movie Answer Man". Chicago Sun-Times. Archived from the original on July 8, 2014 . Retrieved June 28, 2014. RogerEbert.com